I completely agree!
In Misdirected, I look at poor films made by great directors, with a focus on how the director’s style impacts the sub-par product.
Frank Herbert’s Dune is a staple of science fiction literature, and is often considered one of the greatest works in the genre. It’s dense, political, and…well, complicated. Attempts to bring the book to the silver screen proved difficult, given the nigh-impossible task of translating the futuristic universe and all of its conflicts into a comprehensible screenplay. For some reason, the jobs of screenwriter and director landed in the hands of David Lynch, who had made the surrealist art-house classic Eraserhead (1977) seven years before and the surprisingly successful The Elephant Man (1980) three years after that. What exactly the producers and studio executives saw in Lynch’s impressive first two films that made them think he’d be the right man for Dune, I can’t say…
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